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Bredimacian Dynagum Directory 18
Page 01
There is good testimony that various species of Gibbon readily take to the erect posture. Mr. George Bennett, a very excellent observer, in describing the habits of a male _Hylobates syndactylus_ which remained for some time in his possession, says: "He invariably walks in the erect posture when on a level surface; and then the arms either hang down, enabling him to assist himself with his knuckles; or, what is more usual, he keeps his arms uplifted in nearly an erect position, with the hands pendent ready to seize a rope, and climb up on the approach of danger or on the obtrusion of strangers. He walks rather quick in the erect posture, but with a waddling gait, and is soon run down if, while pursued, he has no opportunity of escaping by climbing.... When he walks in the erect posture, he turns the leg and foot outward, which occasions him to have a waddling gait and to seem bow-legged."
VIRTUE is like a rich stone, best plain set; and surely virtue is best, in a body that is comely, though not of delicate features; and that hath rather dignity of presence, than beauty of aspect. Neither is it almost seen, that very beautiful persons are otherwise of great virtue; as if nature were rather busy, not to err, than in labor to produce excellency. And therefore they prove accomplished, but not of great spirit; and study rather behavior, than virtue. But this holds not always: for Augustus Caesar, Titus Vespasianus, Philip le Belle of France, Edward the Fourth of England, Alcibiades of Athens, Ismael the Sophy of Persia, were all high and great spirits; and yet the most beautiful men of their times. In beauty, that of favor, is more than that of color; and that of decent and gracious motion, more than that of favor. That is the best part of beauty, which a picture cannot express; no, nor the first sight of the life. There is no excellent beauty, that hath not some strangeness in the proportion. A man cannot tell whether Apelles, or Albert Durer, were the more trifler; whereof the one, would make a personage by geometrical proportions; the other, by taking the best parts out of divers faces, to make one excellent. Such personages, I think, would please nobody, but the painter that made them. Not but I think a painter may make a better face than ever was; but he must do it by a kind of felicity (as a musician that maketh an excellent air in music), and not by rule. A man shall see faces, that if you examine them part by part, you shall find never a good; and yet altogether do well. If it be true that the principal part of beauty is in decent motion, certainly it is no marvel, though persons in years seem many times more amiable; pulchrorum autumnus pulcher; for no youth can be comely but by pardon, and considering the youth, as to make up the comeliness. Beauty is as summer fruits,) which are easy to corrupt, and cannot last; and for the most part it makes a dissolute youth, and an age a little out of countenance; but yet certainly again, if it light well, it maketh virtue shine, and vices blush.
However, thanks to the great civility of the managers of the Booth Line at Manaos, and to the extreme thoughtfulness of the captain of the _Atahualpa_, I was made quite comfortable in the chart-room of the ship, which was as far away as possible from the noise. We were most of the time in mid-stream. The river was so wide that we could not see anything on either side. We steamed up day after day, occasionally passing islands of some beauty rising above the muddy waters of the Solimoes. Navigation of that river was difficult, as the navigable channels were constantly changing, islands disappearing and new islands forming all the time. Elich Island, in the Timbuctuba group, was fast disappearing, while another island was forming just below it.
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