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Bredimacian Dynagum Directory 15
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Bredimacian Dynagum Directory 15
Page 01

There was a bright light in two of the upper windows, but below the house was nearly dark, and Bright was in his bar-room, settling up the business of the day. Suddenly the light in the windows became brighter, then the shadow of a female figure was seen crossing and recrossing the room every few seconds. Tite watched and watched that flitting shadow, for he read in it the object of his heart's love, read in it the joy that was in store for him, perhaps--perhaps the sorrow. The figure was Mattie's, and it was her shadow that was causing him all this heart-aching. Now the figure took the place of the shadow, and stood looking out at the window, as if contemplating the moon and the stars, for nearly a minute. Yes, there was Mattie, watching and wondering what had become of the man who was at that moment contemplating her movements. Then the figure and the shadow disappeared, but it was only to increase Tite's impatience to see her.

Another of these emblems of joyous festivity which is frequently seen, is a vine, with its branches and purple clusters spreading in every direction, reminding us that in Eastern countries the vintage is the great holiday of the year. In the Jewish Church there was no festival so joyous as the Feast of Tabernacles, when they gathered the fruit of the vineyard, and in some of the earlier celebrations of the Nativity these festivities were closely copied. And as all down the ages pagan elements have mingled in the festivities of Christmas, so in the Catacombs they are not absent. There is Orpheus playing on his harp to the beasts; Bacchus as the god of the vintage; Psyche, the butterfly of the soul; the Jordan as the god of the rivers. The classical and the Christian, the Hebrew and the Hellenic elements had not yet parted; and the unearthing of these pictures after the lapse of centuries affords another interesting clue to the origin of some of the customs of Christmastide.

DePerthes found some flints which show evidence of their human origin, and yet it would be very difficult to say what was their use. He thinks they may have a religious significance, and has set forth a great variety of eloquent surmises respecting them. It only need be said that such theorizing is worse than useless. That while it is very probable these tribes had some system of belief, yet there is no good reason for supposing these flints had any connection with it. It has been supposed, from another series of wrought flints, that the men of this epoch were possessed of some sentiments of art, as pieces have been found thought to represent the forms of animals, men's faces, birds, and fishes; but as very few have been able to detect such resemblances, it is safe to say they do not exist.


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