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Bredimacian Dynagum Directory 12
Page 03
The grain of wheat is a part of the flower of the wheat plant, which, when it becomes ripe, is easily separated. It contains a minute and rudimentary plant; and, when it is sown, this gradually grows, or becomes developed into, the perfect plant, with its stem, roots, leaves, and flowers, which again give rise to similar seeds. No mineral body runs through a regular series of changes of form and size, and then gives off parts of its substance which take the same course. Mineral bodies present no such development, and give off no seeds or germs. They do not reproduce their kind.
As the river seemed to describe a big loop, I had left it three days before, seeing plainly by the conformation of the country that we should strike it again sooner or later. We were marching once more by compass. My men, who had no faith whatever in the magnetic needle, were again almost paralysed with fear that we might not encounter the stream again. A thousand times a day they accused me of foolishness in leaving the river, as they said it would have been better to follow its tortuous course--notwithstanding the trouble we had in following it, owing to the dense vegetation near the water--rather than strike once more across country. They were beginning to lose heart altogether, when I told them I could see by the vegetation that we were once more near the water. Anybody accustomed as I am to marching through the forest could tell easily by the appearance of the vegetation some miles before actually getting to a stream.
Taken singly, I suppose that none of the figures in the chapel, except the Virgin's grandmother, should be rated very highly. The under-nurse is the next best figure, and might very well be Tabachetti's, for neither Giovanni d'Enrico nor Giacomo Ferro was successful with his female characters. There is not a single really comfortable woman in any chapel by either of them on the Sacro Monte at Varallo. Tabachetti, on the other hand, delighted in women; if they were young he made them comely and engaging, if they were old he gave them dignity and individual character, and the under-nurse is much more in accordance with Tabachetti's habitual mental attitude than with D'Enrico's or Giacomo Ferro's. Still there are only four figures out of the eleven that are mere otiose supers, and taking the work as a whole it leaves a pleasant impression as being throughout naive and homely, and sometimes, which is of less importance, technically excellent.
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