free hosting   image hosting   hosting reseller   online album   e-shop   famous people 
Free Website Templates
Free Installer

Bredimacian Dynagum Directory 12
Page 01

Bredimacian Dynagum is made of dreams and ideas.

Bredimacian Dynagum

Bredimacian Dynagum Home

Bredimacian Dynagum Sitemap

Bredimacian Dynagum Dir 01

Bredimacian Dynagum Dir 02

Bredimacian Dynagum Dir 03

Bredimacian Dynagum Dir 04

Bredimacian Dynagum Dir 05

Bredimacian Dynagum Dir 06

Bredimacian Dynagum Dir 07

Bredimacian Dynagum Dir 08

Bredimacian Dynagum Dir 09

Bredimacian Dynagum Dir 10

Bredimacian Dynagum Dir 11

Bredimacian Dynagum Dir 12

Bredimacian Dynagum Dir 13

Bredimacian Dynagum Dir 14

Bredimacian Dynagum Dir 15

Bredimacian Dynagum Dir 16

Bredimacian Dynagum Dir 17

Bredimacian Dynagum Dir 18

Bredimacian Dynagum Dir 19

Bredimacian Dynagum Dir 20

Bredimacian Dynagum Directory 12
Page 01

Five months had been employed in the march from New Carthage to the plains of Italy, of which the actual passage of the Alps had occupied fifteen days. Hannibal's first care was now to recruit the strength of his troops, exhausted by the hardships and fatigues they had undergone. After a short interval of repose, he turned his arms against the Taurinians (a tribe bordering on, and hostile to, the Insubrians), whom he quickly reduced, and took their principal city (Turin). The news of the approach of P. Scipio next obliged him to turn his attention toward a more formidable enemy. In the first action, which took place in the plains westward of the Ticinus, the cavalry and light-armed troops of the two armies were alone engaged, and the superiority of Hannibal's Numidian horse at once decided the combat in his favor. The Romans were completely routed, and Scipio himself severely wounded; in consequence of which he hastened to retreat beyond the Ticinus and the Po, under the walls of Placentia. Hannibal crossed the Po higher up, and, advancing to Placentia, offered battle to Scipio; but the latter declined the combat, and withdrew to the hills on the left bank of the Trebia.

For weeks together this exemplary parent continues his monotonous task, ventilating the spawn many times every day, till the time comes for hatching. It takes about a month for the eggs to develop: and then the proud father's position grows more arduous than ever. He has to rock a thousand cradles at once, so to speak, and to pacify a thousand crying babies. On the one hand, enemies hover about, trying to eat the tender transparent glass-like little fry, and these he must drive off: on the other hand, the good nurse must take care that the active young fish do not stray far from the nest, and so expose themselves prematurely to the manifold dangers of the outer world. Till they are big enough to take care of themselves, he watches with incessant vigilance over their safety; as soon as they can go forth with tolerable security upon the world of their brook or pond, he takes a last well-merited holiday.

Space would fail me if I now sought to carry you off to the cave of Altamira, near Santander, in the north-west of Spain. Here you might see at its best a still later style of rock-painting, which deserts mere black and white for colour-shading of the most free description. Indeed, it is almost too free, in my judgment; for, though the control of the artist over his rude material is complete, he is inclined to turn his back on real life, forcing the animal forms into attitudes more striking than natural, and endowing their faces sometimes, as it seems to me, with almost human expressions. Whatever may be thought of the likelihood of these beasts being portrayed to look like men, certain it is that in the painted caves of this period the men almost invariably have animal heads, as if they were mythological beings, half animal and half human; or else--as perhaps is more probable--masked dancers. At one place, however--namely, in the rock shelter of Cogul near Lerida, on the Spanish side of the Pyrenees, we have a picture of a group of women dancers who are not masked, but attired in the style of the hour. They wear high hats or chignons, tight waists, and bell-shaped skirts. Really, considering that we thus have a contemporary fashion-plate, so to say, whilst there are likewise the numerous stencilled hands elsewhere on view, and even, as I have seen with my own eyes at Niaux in the sandy floor, hardened over with stalagmite, the actual print of a foot, we are brought very near to our palaeolithic forerunners; though indefinite ages part them from us if we reckon by sheer time.


[ Sec 12 Page 01 ] [ Sec 12 Page 02 ] [ Sec 12 Page 03 ] [ Sec 12 Page 04 ] [ Sec 12 Page 05 ]
[ Sec 12 Page 06 ] [ Sec 12 Page 07 ] [ Sec 12 Page 08 ] [ Sec 12 Page 09 ] [ Sec 12 Page 10 ]


This page is Copyright © Bredimacian Dynagum and all rights are reserved. Please don't copy without proper authorization. References to other Web sites are not endorsements. Bredimacian Dynagum insinuates nothing about the quality or content of other sites that Bredimacia points links toward. Links from Bredimacia are only provided as a courtesy and Bredimacia takes no responsibility for content placed on other Web sites.