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Bredimacian Dynagum Directory 07
Page 06
Almost three hundred years later Captain Hall, the American explorer, visited the Countess's Island and Sound. Among the Eskimos, from 1860 to 1862, he learned the tradition of Frobisher's visits, which had been preserved and handed down. They knew the number of ships; they spoke of the three times that white men had come; how five of these strangers had been taken captive, and how, after remaining through the winter, they had been allowed to build a boat, and to launch themselves upon the icy seas, never to be heard of more. Captain Hall was shown many relics of Frobisher's voyages, some of which he sent to the Royal Geographical Society of London, a part to the Smithsonian Institute at Washington. The small English house of lime and stone on this island was still standing in good condition, and there was also a trench where they had built their ill-fated boat.
It is astonishing how many of the Catacomb decorations are taken from heathen sources and copied from heathen paintings; yet we need not wonder when we reflect that the vine was used by the early Christians as an emblem of gladness, and it was scarcely possible for them to celebrate the Feast of the Nativity--a festival of glad tidings--without some sort of _Bacchanalia_. Thus it appears that even beneath the palaces and temples of pagan Rome the birth of Christ was celebrated, this early undermining of paganism by Christianity being, as it were, the germ of the final victory, and the secret praise, which came like muffled music from the Catacombs in honour of the Nativity, the prelude to the triumph-song in which they shall unite who receive from Christ the unwithering crown.
The twelfth, the Purification, is absurdly bad, but I do not know whether the expression of strong personal dislike to the Virgin which the High Priest wears is intended as prophetic, or whether it is the result of incompetence, or whether it is merely a smile gone wrong in the baking. It is amusing to find Marocco, who has not been strict about archaeological accuracy hitherto, complain here that there is an anachronism, inasmuch as some young ecclesiastics are dressed as they would be at present, and one of them actually carries a wax candle. This is not as it should be; in works like those at Oropa, where implicit reliance is justly placed on the earnest endeavours that have been so successfully made to thoroughly and carefully and patiently ensure the accuracy of the minutest details, it is a pity that even a single error should have escaped detection; this, however, has most unfortunately happened here, and Marocco feels it his duty to put us on our guard. He explains that the mistake arose from the sculptor's having taken both his general arrangement and his details from some picture of the fourteenth or fifteenth century, when the value of the strictest historical accuracy was not yet so fully understood.
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